Youth Lifestyle through the decades...

Of all the things I shoot, lifestyle photography is by far my favorite. 75% of what I do is some sort of lifestyle photography for advertising purposes.

So in September of 2018 I got the idea to do a series of lifestyle images that looked as though they were shot in various decades past. I just finished the project and you can see the results HERE.

To create photos that look authentic to the individual time periods took some work, including buying and making my own props. I wanted to include a running theme of including the Coke, McDonalds and Volkswagen brands in each shoot since they are some of the most iconic brands that have spanned several generations. On the 70’s however I decided to go with a custom van rather than a VW Beetle or Thing.

For the props I started with items I could find on eBay. I bought Coke products in bottles and cans as well as things like actual vintage McDonalds styrofoam chicken nugget containers. One of the props I bought in a store in Nashville was an unopened bottle of Tab from the 70’s. What I couldn’t find I made. With the exception of the chicken nuggets, I designed and printed all of the McDonalds packaging including; bags, sandwich containers, french fry bags and cups. I also printed the coke can for the 1960’s shoot that you see in the VW van.

Some of the props I either bought or made…

Some of the props I either bought or made…

Model selection as well as Wardrobe and Hair/Makeup were key and I’m so proud of the team I had working with me on all of this.

Here’s a behind the scenes video featuring the various photo shoots.

All photos were taken in the Nashville area with a Canon 5D Mark IV and Profoto B1 and/or A1’s. I didn’t want to “cheat” and use film for these shoots. I wanted to show that I could re-create these time periods using modern technology.

Ascend TV Commercial

The amazing folks at Lewis Communications hired me and my team to shoot this TV commercial a couple of months ago, and it just started airing this week. It'll be on CBS, NBC, ABC stations as well as Comcast and Hulu. Keep an eye out for it.

It was produced by Katie Peninger and directed by Tom Johnson of Lewis. The only thing I didn't shoot is the drone footage of the Ascend Amphitheater.

I used to shoot a lot of video and I seem to be getting back into it more and more.

Who's eligible to join Ascend Federal Credit Union? If you live in Middle Tennessee and want to get the most out of your money, there's a way for you to join. At Ascend, we share our profits with our members. The more you bank, the more you could earn.

Ascend Federal Credit Union

2 Weeks ago Ascend Credit Union launched a brand new version of their website. Lewis Communications spent over a year crafting and building the site, which is thousands of pages deep. Besides being known for their great banking services, their name is also easily recognized by the Ascend Amphitheater in Downtown Nashville where numerous bands and musicians play year-round.

I was honored to spend 3 days shooting photos that woulds populate much of the site. Below are a few of the moments we captured, both at their corporate offices in Tullahoma, TN as well as my studio outside of Nashville.

D1 Sports Photo Shoot

Being someone who loves fitness and works out 4-5 times a week, I was very excited to help D1 Sports build a catalog of images for their franchise of over 25 locations. D1 specializes in preparing people of all ages to be elite athletes.

I’ve been doing sports photography for over 15 years, most of it staged shoots like this one. But I’ve also captured athletes competing in live events such as when I shot the X-Games for 2 years. Whether staged or live action, I learned a huge skill shooting sports photography, and that is, how to perfect the art of timing.

When you’re shooting an athlete you have to hit that precise moment that will become frozen in time as “the shot.” I took the principals of sports photography and applied them to working with people in all situations. So now when I’m shooting a person, I’m fully aware of his or her unique and individual timing.

No two people move with the same rhythm and it’s a photographers job to read each person’s timing to make sure the moment captured is the best one.

For this shoot we used actual D1 members rather than models and we shot this at their Nashville/Franklin location.

Recent Photo Shoots in Nashville

Capturing artists in their element is one of my favorite things to shoot. An artist working on their music in a recording studio reminds me a lot of the time that I spend in my photography studio creating my photos. Here's a few photos from some recent shoots that I've done in various recording studios... First here's a screen capture from Canon's web site of a photo shoot I did for them of Mat Kearney. It was truly an honor to shoot for Canon, a company I've been loyal to for almost 15 years now. And of course Mat was super to work with. This shot was taken at his home studio in Nashville.

Mat Kearney for Canon Camera

Mat Kearney for Canon Camera

Next up is one from a fun shoot I did with Cole Swindell at Sound Emporium Studios in Nashville. Cole was a very chill and easy to hang with person. He made it a lot of fun.

Cole Swindell U.S. Cellular

Cole Swindell U.S. Cellular

And then I spent the day with Gavin Degraw shooting him for Snapple. Gavin was a hilarious and super fun guy to work with. I could have sat and listened to him telling funny stories for hours.

Gavin Degraw for Snapple

Gavin Degraw for Snapple

And lastly here's one of Atlantic Records artist High Valley that I shot at Dark Horse Studios in Franklin, just south of Nashville. To say that these 2 guys (who are brothers) are fun, is an understatement. The day was filled with laughter and it made my job a lot easier.

High Valley for U.S. Cellular

High Valley for U.S. Cellular

Tennessee Titans Photo Shoot

I spent the first part of my life in the New England area (Boston, New Hampshire, Maine) so I'm naturally a fan of the Red Sox, Bruins and Celtics. I have however never been a fan of the Patriots. I can't explain why; they just never clicked with me. I moved around a lot over 11 states, but it wasn't until I moved to Nashville that I finally found an NFL team that I felt like I could call my own. That team was the Tennessee Titans. So I was super excited when the Titans called me to take the player photos for their 2018 season. What made it even more special was the fact that the team was getting brand new uniforms designed by Nike. There was a lot of buzz, especially around Nashville, about the new look of the uniforms. Rumors were flying, and all of them were wrong.

I was brought in to shoot the new season in the new uniforms. It was great to be one of the first people to ever see the new looks. Doing sports photography is a lot like shooting celebrities; their time is valuable so you have to have quick instincts and know when you’ve got the shots that you need and move on.

Here's a few of the photos. Be on the lookout for more of them everywhere. You'll see them on TV, in print, online and of course on the sides of Nissan Stadium.

Tennessee Titans

Tennessee Titans

Tennessee Titans

Tennessee Titans

Tennessee Titans

Tennessee Titans

Dashboard Confessional Album Photo Shoot

I've shot Chris Carrabba a few times, both with him and his full band. This year he released his 7th album as Dashboard Confessional; his first in 8 years. I was stoked to shoot him and the band once again for this historic release. Dashboard pretty much created a whole genre of emo-influenced music that has had massive repercussions on artists that came after. For this latest shoot we did most of it at my studio outside of Nashville. I wish I could show more photos that aren't being released yet. Some of my favorites probably won't be rolled out until later in the year.

Dashboard Confessional

Dashboard Confessional

Dashboard Confessional

Dashboard Confessional

Dashboard Confessional

Dashboard Confessional

Dashboard Confessional

Dashboard Confessional

New Found Glory Album Photo Shoot

I had the fun of shooting the promo and packaging photos for the latest album by New Found Glory. I had previously worked with guitarist Chad Gilbert on a video for his side project What's Eating Gilbert. That experience combined with having hung out the NFG guys before gave me a taste of what I was in for. And that was a hilarious, zany time full of laughs, good times and great photos. We did the photo shoot at my studio outside of Nashville. The new album is called "Makes Me Sick" and it's another step forward both lyrically and musically for the pride of Coral Springs, Florida. The music is influenced by 80's music and the words project a hopeful frustration with the apathetic attitudes of the world right now.

New Found Glory

New Found Glory

Momtographers , Newbies and the jealousy of Photographers...

I've been meaning to write this post for awhile now. I visit a few photo forums, Facebook groups dedicated to photographers, etc. If I see one recurring theme over and over it's photographers complaining about how "everyone with a camera now thinks they're a photographer." The statement arises from (mostly wedding & portrait Photographers) losing jobs to newbie photographers who last month were a barista or working at Best Buy. I understand the frustration of an ever-growing and crowded photo market, but many of these people feel it's ok for them to go from being a cashier to a photographer, but not for anyone else to do it.

Time and time again I've defended new photographers entering the market. You can't blame someone for falling in love with photography and realizing they can actually make a living off of it. But in the midst of this conversation one term comes up a lot that really bothers me. That term is "Momtographer." A Momtographer is a word used almost always in a derogatory way to mean someone who is "just a mom" but who "fancys themselves a "real photographer."

I read things like "I lost that wedding to a momtographer who probably doesn't even know how to use her camera on anything but auto mode." Or I cant believe they went with that lady; she's just a mom with a camera." The assumption is clear; if someone is a full-time, stay at home mom then they lack the experience, skill or talent to become a real photographer and should leave it to the "pro's"

There's a couple points I'd like to make. First of all I've always said that I'd rather have the eye and instincts of a great photographer than all the technical knowledge in the world. To have both is ideal, but creativity and fearlessness trumps perfection every time. Many of these Moms have yet to perfect the technical, but can blow away some of the more seasoned people with their amazing ability to capture beautiful moments. They've been shooting photos of their kids for several years before they get the opportunity to actually make money doing it.

The second point is the obvious (or maybe not) sexism in the word momtographer. I've never ever heard a guy being called a "dadtographer. If a father suddenly decides to make a life change and become a photographer he's just a new photographer. It's always struck me as odd, the lopsided ratio of male to females in the world of commercial photography. I've seen some women with such an amazing eye and instincts that it puts a lot of guys to shame. I believe women many times see things differently than men and bring their own set of strengths to the table that a man doesn't have. I also believe men do the same in our own way.

I've heard story after story about women who walk into camera stores and get treated like second class citizens or idiots by men working There. I have a theory as to why this is. In my opinion you have guys who have spent years trying to learn everything there is about cameras and all things technical related to photography and they've yet to realize their dream of being a professional photographer. So in walks a mom with her kids in tow looking to buy the newest $5,000 camera. The guy behind the counter says to himself "I can't believe this mom thinks she's a photographer; she didn't even know the difference between a CMOS and CCD sensor. So because she's a working photographer, has a few questions that he of course knows all the answers to, but he's woking retail for $10 an hour, he instantly becomes bitter and treats her with contempt.

Thirdly; what does being a mom have to do with any of this? How is a single, childless woman who leaves a job to become a photographer different than a woman who finally after her 2 kids start school decides to become one. This woman with kids has done a very hard and demanding job ensuring the safety, feeding, discipline and nurturing of live human beings. To me that qualifies someone to run the set on a large advertising shoot from top to bottom.

So let's leave the word momtographer behind, at least in the derogatory sense and give these women the respect they deserve. I guarantee any woman with even one child works harder than you, no matter what job you have. And many of the skills she's acquired doing so make her perfect for a photographer, especially for people's life events.

 

 

Patricia Nash Lifestyle Fashion Photo Shoot

These photos I shot are just now getting released in ads so I thought I’d share some of them here. This was a lifestyle fashion photo shoot I did for the Patricia Nash brand. My team drove from Nashville to Knoxville a couple of months ago to do this shoot. It was freezing that day, but these models were pros and did an amazing job. Patricia Nash is an amazing fashion line focusing mainly on handbag and shoes, although they are venturing into other areas as well. This was a day shoot with 2 locations; one at a marina just outside of Knoxville and one at the company's headquarters.

I do quite a bit of fashion photography for clothing lines in Nashville and elsewhere. As someone who used to own a small clothing company in Southern California, I love fashion and fashion photography.

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David Bean: Nashville Photographers

AVVAY is the New Way to Find Creative Spaces in Nashville and Beyond...

AVVAY is a new web site created by folks right here in Nashville that is kind of like airBNB, but for creative spaces. So if you're a photographer, painter, dancer, sculptor, etc. you can go to the AVVAY web site and look up homes, barns, studios, garages, etc. where you can perform your craft. I discovered it right before I was doing pre-production on a photo shoot for one of my clients PedalTrain. For the shoot we were looking for either a recording studio or a band rehearsal space that looked like it would be owned/used by both a young aspiring band or an already established one. In my many years of shooting in Nashville I had been to several studios and rehearsal spaces. But until I found AVVAY I never knew about places like The Silent Planet, where we ended up shooting at.

The shoot was huge success, due in large part to the amazing space I found on AVVAY. Check out the blog they wrote about it from their end. The transaction between me and The Silent Planet was the first one for AVVAY. If you've got a space of any kind that you think creatives could use, sign up on their site. They will be expanding to other cities beyond Nashville soon.

Here are some of the images from the photo shoot.

Healthcare Photography

Nashville is considered by many to be the healthcare mecca of the U.S. Nashville's healthcare industry is much larger than it's music and entertainment ones. Because of that I end up shooting a lot of healthcare photography both here in Nashville and all across the U.S. I just launched a new portfolio section called Healthcare Photography for Advertising. I've shot healthcare photos for several years now but recently decided I should have a portfolio for some of it. It's very different shooting people in a hospital environment and also a great privilege. To have people trust you enough in their vulnerable moments is not something I take lightly when shooting the photos for hospitals and healthcare companies.

 

Photographers, Photo Schools and What Makes a Photo

I've been a full-time photographer for over 10 years now. Due to me basically throwing away the first 21 years of my life, I never went to college. So when I became a photographer I had to teach myself everything. Back then there's were little in the way of online tutorials or blogs that walked you through the process of becoming a photographer. Not wanting to be a hack; I would sit on the floor of book stores in Nashville and learn all I could about the art and craft of photography. Fast forward to today and as many people are fond of saying "everyone is a photographer now." The field of photo making has definitely become very crowded with people buying their first camera and then literally the next week being paid to do a shoot. Due to the sudden influx of these new photographers many older, established professionals look down on, make fun and fear these "newbies." They act like the old guy telling the young kids to get off his lawn. They bemoan about how these young people are destroying the culture and business of photography with $500 photo shoots. I personally welcome any new/young photographer into the field. We all had to start somewhere; none of us entered the scene knowing half of what we should have.

But what does make me sad is the way photography is being understood by so many new shooters. As well as talking to photographers in Nashville, I belong to several photo groups on Facebook, Google + and others. These are places where new photographers post work to be seen and critiqued by others in the community. What I've seen for the last few years is a heavy emphasis on gear and lighting. Someone will post a great photo and all anyone wants to know is "what lens did you use?" Which brand of lighting was it" What camera did you shoot it with", "What f/Stop did you use?", etc. I never see anyone ask "how did you get the person to smile like that?" "What's the story you were trying to tell?" etc.

In these groups if a photo is even the slightest bit soft, out of focus or shadowy it gets berated as a bad photo. Meanwhile any photo, no matter how boring, stale or hum-drum it is gets raves upon raves if the lighting is "technically perfect" or there's a "nice bokeh." Basically, someone will post a photo of a girl standing with a bland pose, no emotion, nothing to draw a person in, but the background has pretty, blurry bokeh and people will say it's the greatest photo they've seen all day.

They are not seeing the humanity behind the photo, only the machine. My fear is that we are raising up a generation of photographers that don't understand that what makes a photo great is not the technical as much as it is the human connection. Some of the greatest photos have been; blurry, poorly lit, grainy, etc. but the one thing they all have in common is that they have captured a moment that evokes an emotion from the viewer. This is especially important for commercial photography, as the photo needs to prompt the viewer to take an action (buy a product or service, donate money, etc.)

I've never been a big fan of photo schools because A) I never went to one B) I've heard a lot of people talk about how much they focus on fine art and not on commercial photography. But I'm recently changing my mind on the subject. I know see that without a proper education in the history and fundamentals of photography a person can easily think it's all about what brand of gear you use or how technically perfect you can light a shot.

A photo school won't teach you everything you need to know to become successful, but the foundations are essential to the story telling that is photography. For those who can't go for one reason or another; do what I did and park yourself on the floor of a book store and learn all you can.

 

My Story: How I went from Florida teen to Nashville Photographer

I haven't always lived in Nashville and I haven't always been a photographer as a career. I have a lot of people ask me all the time how I first got into photography and how I ended up where I am now. People like to hear inspirational stories of others so they can learn from people's mistakes & successes and follow similar paths to success. Well, my story is anything but traditional and not something I would exactly encourage other people to follow step-by-step. The first 20 years of my life is a very long, crazy, insane and sorted story. In a nutshell; I went to 6 different high schools and barely graduated at all. I failed 11th grade because I lived a block away from school and I would go to first period which was guitar and then I'd walk back home and go to sleep or cruise around town. So at the age of 20, when I finally got my life together I didn't have many career choices to pick from, especially since college wasn't really an option considering the grades I had.

It was around this time that I met my girlfriend who is now my wife. I was heavily involved in the punk rock scene in South Florida and so her and I would make underground magazines (zines) using cut-and-paste methods and copy machines. As these progressed we started getting a little more technical with the advent of Macintosh computers that you could rent at Kinko's. So after a couple years of working on the Macs at Kinko's I really started getting interested in graphic design/printing and decided that's what I wanted to do for a living. So when we moved from South Florida to Atlanta I got a job at a printing company being the delivery driver and within a year I was managing the shop.

We then moved to Orange County, California where I got a job at another printing company. It was there I met a guy who gave me my first break in graphic design. He hired me to design T-shirts, flyers and magazines for all of the concerts that he put on in southern California. The work was fun and I really grew and learned a lot in graphic design. Like I said before, I had never gone to college so I had to spend hours on end on the floor of Borders and Barnes & Noble studying everything I could about graphic design. I didn't want to be a hack; I wanted to make sure I was being true to the craft and doing things with excellence.

After about two years in California we decided to move back east and chose Nashville. When we got here I found a good job at a software company doing graphic design. About a year into that job the amount of freelance design work I was doing was paying more then my job was, so I decided to quit my job and start my design company out of my house. Things went really well and about two years later I opened up an office off of the Franklin Square just outside of Nashville and hired two employees. The design firm did very well and 2003 was the best year ever had being self-employed. I was doing websites and print work for very large companies like ESPN, Fender, Purpose Driven, record labels, etc.

During that time I had been doing some photography on the side for some of my clients. I never liked using stock photos, so whenever photography was needed for one of the projects I tried to shoot it myself. This led to a few purely photography jobs. Then one day I was vacationing with my wife and kids down in Seaside, Florida and I just had an epiphany. I looked around at the sun and the fresh air and realized that I was so tired of sitting behind a desk all the time doing my design. By this time I had moved my offices back home and my employees worked remotely from their homes. I was feeling very isolated and didn't get to be around people very much. Whenever I thought about doing my photography it always made me so happy. I loved being around people, shooting different things all the time. I enjoyed the lifestyle and the craft/art more than design. To be honest I was very burnt out on graphic design. I would be driving down the road looking at billboards and re-kerning the letters in my mind. I was so ready to be done with graphic design and jump head first into photography full-time.

So at the peak of my success with the design firm I just shut it all down. I told all my clients I was getting out of design and would just be doing my photography full-time. It was a huge leap of faith and also a very stupid thing to do. I feel like sometimes being naïve is a great thing because you think you can do anything even if it makes no sense to anyone else. But with my wife's blessing behind me we did just that; we shut the design firm down and went straight into a full-time photography business. The good thing was that I had existing relationships with my design clients, so I got a lot of photo work off of them which most people starting a business wouldn't have.

There's obviously a lot that I can mention in between starting a business and ending up where I am today. I'm not going to go into every decision I made and every single step that got me to where I am now. But I will say in order to be self-employed and stay self-employed for a number of years you have to live a fearless life. I don't have a formal education behind me, but what I do have is great instincts and a great sense of design and style. I don't think you can overestimate the importance of trusting your instincts and your decision making skills. Commercial photography is an art form that requires great people skills, decision-making skills and instincts. You also need to be able to see beauty everywhere, even in the smallest detail.

I love what I do, I love Nashville and I love the people and clients I work with. I encourage everyone to follow their dreams and to not let fear get in the way of the next step. And even more importantly to not let fear get in the way of your art. Fear is the enemy of creativity.

What You Didn't See in 2014

I know a lot of photographers are doing "Best Of" posts for the new year. It's always great to see those and look back on the previous year.  I wanted to do something slightly different. Instead of doing a "Best Of" I thought I'd show some photos I took in 2014 that aren't on my site & most people have never seen before.

I love what I get to do for a living and the people I get to do it with; every photo shoot is so different from each other. I'm really looking forward to what 2015 has in store.

Enjoy these!

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Shawn McDonald

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Photo Shoots for Banded

I love my clients; I really do. I get to work with a lot of great people and companies. Banded is one such company that I enjoy working with. Banded is a Nashville based company that makes headbands that are step above all others. They are one size-fits-all that are non-slip, which makes them great for active lifestyles. They're sold all over the country and I'm regularly see them being worn all the time. I've done their photography for the last few years. Here's a few shots from some of those photo shoots. Since they're based in Nashville and so am I, we shot all of these photos in and around the Nashville area. From their site... BANDED™ headbands are the original no slip, automatically adjusting headbands that fits both children and adults. Our patent-pending design allows you to wear your BANDED™ headband all day long without getting a headache and prevents the headband from pinching or pulling your hair. Due to the soft velvet lining that keeps the headbands on, you will be able to focus on the day and not worry about looking in the mirror to adjust it. You can finally style it and forget about it.

Check out their site and do some shopping and take a look at the photos below...

Banded Lifestyle photography Advertising

Banded Lifestyle photography Advertising

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0 to 60 in 6 hours Photography Lighting Workshop In Nashville

NOTE: The early-bird pricing is over. It is now $199. Earlier in the year I did an Intro to Lighting workshop at my photography studio outside of Nashville. It was a success for all who came and I've decided to do it again. This time however I've made a few improvements and also LOWERED THE PRICE.

This time around it will be a 6 hour day of intensive training for only $199.

I can say this; I have never taught lighting as in-depth as this workshop will be. I will start from the ground up teaching the very basic and foundational concepts of lighting.

You will learn how to go from several different 1 light set-ups to variations on more complex, advanced ones. This will not be a hands on workshop. I've learned from past experiences that the time students spend shooting is much better used taking individual questions and making sure everything that's being taught is clearly understood. If I have to go deeper into a technique I will.

At the end I will set aside as much time as possible for a Q&A session on anything photography related.

As a bonus I will choose 3 people at random who have signed up to receive a personal 30 minute portfolio review by me. Anyone who's ever had one by me knows I'm very honest, but encouraging in the process of a review. All reviews will take place at my studio in Franklin, south of Nashville.

0 to 60 in 6 Hours Workshop SUNDAY, August 17, 10:00 am-4:00 pm.

YOU WILL LEARN…

Strobes: How to use...

- One light - Two lights - Three lights - More than three lights

How to mix strobes with natural light for both natural and un-natural looks

- Indoors - Outdoors

Choosing and using different light modifiers

- Umbrellas - Softboxes - Reflectors - Grids - Beauty Dishes - Silks - V-Flats - Using walls and other objects as modifiers

Hard vs soft light

- How to use - When to use

Using Accessories

- Light meters - Transmitters/Receivers - Wired vs wireless - Gels

Choosing gear

- Why more expensive isn't always better - When to use what type - De-mystifying the fear of gear

...and More!

This will be held at my studio in Franklin, TN; just south of Nashville on Sunday, August 17, 2014.

The price is only $199. We will break for a 1 hour lunch. If you would like lunch provided it's an additional $10. Lunch will be a Jersey Mikes boxed meal (sub, chips and a cookie.)

If you would like to pay via check you can mail it to:

The Visual Reserve PO Box 682421 Franklin, TN 37068

IF YOU ARE PAYING BY CHECK please email using the contact page and let us know you are mailing a check and if the check will be written in a different name . We will hold your spot for 5 days from receiving the email.

If you have any questions at all, please feel free to email

SIGN UP HERE